So last weekend at Mountain Jam I got the news. When I had gotten my tickets for Phish at Jones Beach I had my editor at Hidden Track put in for either Thursday or Friday, well despite this being one of the hardest passes to get we received confirmation for both! Jones Beach at over 15,000 people is easily the largest venue I have ever shot at, so yeah I was a little nervous, but after two beers, a slightly heated "heady" burrito I headed over to the side entrance to await for our Livenation contact. (Interesting side note about Jones Beach, my first job in New York City was working for Jack L Gordon Architects. JLGA was the architect of record for the expansion of the 2nd level at the amphitheater and I used to see photos of it around the office when we would assemble projects and presentations)
So after a bit of chit-chat with the other photographers (including Dave Vann) we headed on in. First on all I was a bit unhappy to learn there was no photo pit at Jones Beach, simply the front of the isle which we were allowed to stand and shoot from. Secondly we were not allowed to take any shots of the crowd (due to legal restrictions) and of course we were limited to 3-songs (of course with Phish this would last anywhere from 15-45 minutes depending on their song choice)
Luckily however they started off with an acapella Grind allowing us a chance to shoot the guys standing all together as an intimate shot.


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another lucky break the contact for Livenation decided not to count this song against us, so we still had three more songs to go!
So then it was a series of working on a close up for each of the guys. For Page and Fishman, this meant getting a clear shot of their heads from 30' away and for Trey and Mike trying to get shots of them singing and jamming and hopefully capture a Trey "orgasm face" in the process.





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well some things you get and some you miss, but you keep trying (I also need to look back and see if there's any other shots I can salvage)
But we got the signal it was time to go. Nicely enough it was time to pack our cameras and head out, but I was able to sneak a few from the crowd and got these two shots.


The problem of course with long shots is you never know what you are going to get. Was the band in focus? Were they blown out? Did you get any crowd in that shot, or are they showing up completely black?
Friday night was more of the same, except we switched isles to Fishman's side and it was raining. Constantly raining, with over an inch of standing water in the front rows. Basically what this meant was every time you went to switch lenses they got wet and every time the lights shown on them they flared up. On top of that, I no longer had an angle on Fishman, as he was now directly behind the drum kit from my angle and now we were actually farther away from Page, with no better angle on him. So I decided to focus on the long group shots, doing my best to get the whole band and the lights in one shot.
http://farm4.static...._e6a7a6271a.jpg.
throw in a few closeups of Trey and Mike again
http://farm3.static...._e736eabe71.jpghttp://farm3.static...._c928433e29.jpghttp://farm3.static...._77b5ae9fc9.jpghttp://farm4.static...._de41759344.jpgand then it was time to hustle up to the upper levels before the sun completely set and grab a shot of the crowd in the venue.
http://farm4.static...._7aa54fd6c0.jpgThe sun went down and I got a long shot of Fishman on the vacuum cleaner
http://farm4.static...._61e1184606.jpg.
and a nice long shot to end the night
http://farm3.static...._18db1a4004.jpg.
as I keep trying for that "A thousand barefoot children outside dancing on my lawn" shot.
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all the reviews from Hidden Track are located here.
[url]
http://www.glidemaga...-beach-night-2/[/url]
[url]
http://www.glidemaga...ight-3-setlist/[/url]
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This week we're gonna try and get some rest and get caught up on Mountain Jam photos and thank yous and emails and actually go to a show without the camera.
Eric Clapton and Steve Winwood at the Izod Center, should be nice